Track Name: Return To Plasticland
Track Length: 3:04
Description:
A magic carpet ride over synthetic landscapes. This meandering journey is retro analog synthesizer based and could make a good backdrop for video scenes involving panoramic vistas, time-lapse photography or computer animations. Composed by Steve Lowther. {motion, sci-fi, adventure, smooth, Synthesizer, electronica, techno, fascination, intrigue, cinematic}
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Track Name: La Boite Musique
Track Length: 2:58
Description:
This pretty fairy tale melody sounds kind of like one of those old Victorian-era music boxes with a miniature ballerina dancing on top. One can imagine snowflakes, icicles, candy canes, The Nutcracker Ballet and sepia-toned photographs of vintage ice skaters - basically and all-around good pairing for any of your Christmas season graphic imagery... Composed by Steve Lowther. {sentimental, cartoon, electronica, romantic, dreamy, neoclassical, kidshow}
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Track Name: Future Cowboys
Track Length: 3:04
Description:
This is a "Home On The Range" for the instant-access future. An upbeat cowboy melody is warped and sequenced while the synthetic prairie winds make swooshing atmospheric sounds in the distance. Theme music for topics and dramatic scenarios where the underlying question may be: now that the dream of the electronic cottage has been achieved, where lies the next frontier? Composed by Steve Lowther. {adventure, themes, cowboy, country, happiness, whimsical, sci-fi}
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Track Name: Orchestral Intrigue
Track Length: 2:58
Description:
Cinematic strings and classic orchestral instruments and arrangement combine to create an atmosphere of building anticipation in plot development of dramatic productions.Composed by Steve Lowther. {intrigue, adventure, neoclassical, suspense, cinematic, atmospheres, fascination, anticipation}
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Track Name: Asteroid Blaster
Track Length: 3:24
Description:
A video game soundtrack with a kind of unique exotic progressive-electronic styling. The journey starts with a lone Indian tabla drum thumping a rhythm into the outer reaches... and then the synth bass sequence starts up followed by alien synthetic textures designed to help guide the fighter pilots as they blast those virtual asteroids. Composed by Steve Lowther. {techno, electronica, exotic, Ethnic-World, alternative, intrigue, fascination, suspense, adventure, industrial, tension}
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Track Name: Decades
Track Length: 2:59
Description:
As we enter the third decade of the 21st century... This clockwork synthetic audio soundscape will work well as the soundtrack to videos with futuristic or technological themes. Composed by Steve Lowther. {electronica, soundscape, documentaries, sci-fi, atmospheres, alternative, fascination, meditative}
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Track Name: Cheeky Groove
Track Length: 1:41
Description:
Starts with a sleazy sax phrase joined by jerky rhythms and energetic beer hall piano playing. Background music for dubious pursuits with a comedic flare. Imagine a jewelry heist caper planned by gang of buffoons... Composed by Steve Lowther. {whimsical, happiness, cartoon, upbeat, themes, Piano_Keyboards, Saxophone, peppy, weirdo}
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Track Name: Testing The Prototype
Track Length: 2:59
Description:
Growling and warbling synthetic background to hi-tech laboratory experimentation. Kind of an old school analog synthesizer and cheap drum machine feel. Composed by Steve Lowther. {techno, sci-fi, excitement, fascination, industrial, Synthesizer}
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Track Name: Zombies of the Stratosphere
Track Length: 3:03
Description:
The slow, plodding, lumbering, stumbling march of zombies throughout the outer reaches of the galaxy. What is it about zombies that has captured the popular imagination? "Must...eat...brains!" Composed by Steve Lowther. {lounge, mellow, weirdo, melancholy, alternative, dark, themes, sci-fi}
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Track Name: Katz Cradle
Track Length: 3:00
Description:
This track was originally composed as an elegy for Fred Katz, who wrote film soundtrack scores for several Roger Corman films in the 1950s and 1960s. For those who have never heard of Corman: he produced and directed sci-fi and horror films with titles like "Night of The Blood Beast" and "The Wasp Woman" (just to give you some examples). However, after much application of effects and processing, the mixdown of this composition has ended up sounding a lot more like industrial electronica than retro horror b-movie fare - perhaps more like a subtle soundscape than was originally intented... Composed by Steve Lowther. {melancholy, neoclassical, motion}
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